
Playing music on a guitar is a juxtaposition of nerdly intellect and romantic sensualism. I found out through experience. (boy was that guitar a mess afterwards ha!)
I first started playing guitar when I started my physiotherapy degree.
On first picking it up, I succeeded only in making the guitar sound like a box of disgruntled cats being shaken like a cassonette to the tune of Eye of the Tiger. It retrospect, why would it not? Poor tuning, block chords, heavy strums, poor rhythm and badly sung covers: I sucked hard.
(an aside, I find rhythm do be the hardest word to spell in the English language)
But, there were odd transient moments when I really enjoyed what came out of the guitar. In these moments, it seemed to sing to me. I tried to reproduce these moments.
I failed miserably.
So how could I discover the secret to making a guitar sing?
With that question, my fate was sealed: I started on a journey of musical discovery.
First, I needed to know how to find the good, non-disgruntled cat notes. So I studied music theory. This process was mechanical, unemotional, sexless and nerdily scientific. I had note pads filled with messes of numbers, cartoon fret-boards with circled chord shapes and scales, chord progressions with superimposed melody lines...in my head, my guitar began to look like a maze of numbers.
But, the results were starting to come: the singing moments were more frequent and the disgrunteld cat moments rarer. This success added to my need for discovery and I began to become a smidge obsessed.
I felt my nerdly musical obsession was crystalised with one moment: I was sitting in a physio lecture and furiously taking notes. A friend glanced over at my note pad with a look of confusion and asked incredulously 'what lecture and you listening to?' She had seen my outwardly insane-looking scrawlings. After pulling myself out of my concentration-enduced coma, I could only answer "I'm figuring out music."
So I was a little insane for a while.
But it really started to come together. Once I could autonomously avoid the disgruntled-cat notes on the fretboard, I was free to listen to my music. This was when learning guitar changed from being a mental exercise to being a romantic meeting of mind and melody.
The world of non-disgruntled cat notes was deeper than I first thought. I discovered that non-disgruntled cat melodies carry their own stories and these stories are set to context by the accompanying chord progressions expressed as other melodic stories of bass and harmony. The intimacies of each story could be expressed by the note's timbre, volume and rhythmic approach (being ahead of or behind the beat). I discovered that changes to any of these factors create musical drama.
This romantic beauty side of music is in contrast to the theoretical nerd side. It is expressive, sensual and requires more than an IQ.
But neither can exist with out the other.
Guitar: a beautiful nerd.